Category Archives: Uncategorized

A Three Part Experimental Radio play on the subject of energy featured on CJSW 90.9 FM on Paula Fayerman’s show NOISE. This project is produced through Spark Science Centre‘s inuagural Energy Transitions Artist-in-Residence Program. As part of Spark Science Centre’s Energy Transitions Artist-in-Residence program I spent my residency focusing on the topic of energy.  IncreasinglyContinue reading “ZEMPEKS | Zip Elan Mana Power Energy Ki Spirit. 2020.”

Between play is the accumulation of a few different movements — Through workshops offered to Western Canada High School students engaging and educating students about sound and performance art two things were produced. First sound art piece that is a collage of field recordings students gathered along the construction ridden 17th Avenue. Secondly, a series ofContinue reading “between play. 2018.”

Short collaborative film by Ashley Bedet and Jessie Short commissioned by RT Collectives micro-granting project Partners in Crime.  Strange Territory follows Shim, a transparent eyeball, in this meditation on the intricacies of pleasure and desire. Erotic fulfilment could very well be equal parts exploration as it is knowing your own self and desires, ridiculous as that playful examination canContinue reading “Strange Territory. 2017.”

Paper, Bow River Water, Ink, Elastic Band. Edition of three. Commissioned by Alana Bartol and Sarah Nordeen for Quarry Park Legacy Piece. Cross sections of marble or granite* look strikingly similar to photos of galaxies – indicating the millennia of specific environmental factors which illustrate a rocks history. Similarly these rocks unfold to present theContinue reading “self described rock. 2017.”

The illusive blue often seems to resemble wind. How do you explain wind to a friend who maybe never knew there was a word for wind? Of course they’ve felt it, right? Is it presumptuous to assume every bodies felt wind/ knows blue? This is what my bio looked like at the time and if you reallyContinue reading “BLUE aka World Expanding Fear. 2014.”

this is a set of sculptures design for a pre-cinematic space for Sled Island, curated by Ginger Carlson. A million years ago and a thousand years later – you weren’t there. You’re here now though. More than anything these two works are just spaces for one. One person at a time. One minute at orContinue reading “a monolith and an obelisk walk into a room… (2016).”

This was my graduating exhibition from my BFA at NSCAD University. The ethos behind this work was there are moments of pause or reflection when stopping to adjust your eyes on a view from a window. There is a specific feeling and time and head space in this moment. These moments often happen in transition,Continue reading “existing, being, etc. at that time. 2013.”

human sized rabbit trap. This work is a large sculptural installation which focused around the theme of safe spaces and inclusion within the Halifax community. It was commissioned for the 250 Year Celebration of the Halifax Commons by the Friends of the Commons. The work is a human sized rabbit trap. The focus of thisContinue reading “HUMAN TRAP. 2013.”

Being and doing are not tasks that are mutually exclusive. In many cases they are the same. Product is formed as the goal-state of both being and doing. In being, production is a result of itself. In doing, it is the purpose of itself. A goal of modern civilizations is that there would be leisureContinue reading “GOAL STATE: immaterial labour behind production. 2016.”

Essay review of Lisa Lipton’s Epic, THE IMPOSSIBLE BLUE ROSE written for LUMA Quarterly Volume 1 Issue 003. You can read it here.