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Commissioned for the 2017 Alberta Biennial, For the Time Being.  One dot on a line in the quest for persistence.

To look and touch are two sides of the same objective. Sometimes a person’s objective is simply to look but do not touch, or touch but do not see. Enter the multipurpose tool; joining a mirror – to look and reflect, with the emblem of a kiss – to touch. A reminder that the oppositeContinue reading “the opposite of a look is a kiss. 2020.”

A Three Part Experimental Radio play on the subject of energy featured on CJSW 90.9 FM on Paula Fayerman’s show NOISE. This project is produced through Spark Science Centre‘s inuagural Energy Transitions Artist-in-Residence Program. As part of Spark Science Centre’s Energy Transitions Artist-in-Residence program I spent my residency focusing on the topic of energy.  IncreasinglyContinue reading “ZEMPEKS | Zip Elan Mana Power Energy Ki Spirit. 2020.”

Between play is the accumulation of a few different movements — Through workshops offered to Western Canada High School students engaging and educating students about sound and performance art two things were produced. First sound art piece that is a collage of field recordings students gathered along the construction ridden 17th Avenue. Secondly, a series ofContinue reading “between play. 2018.”

Short collaborative film by Ashley Bedet and Jessie Short commissioned by RT Collectives micro-granting project Partners in Crime.  Strange Territory follows Shim, a transparent eyeball, in this meditation on the intricacies of pleasure and desire. Erotic fulfilment could very well be equal parts exploration as it is knowing your own self and desires, ridiculous as that playful examination canContinue reading “Strange Territory. 2017.”

Paper, Bow River Water, Ink, Elastic Band. Edition of three. Commissioned by Alana Bartol and Sarah Nordeen for Quarry Park Legacy Piece. Cross sections of marble or granite* look strikingly similar to photos of galaxies – indicating the millennia of specific environmental factors which illustrate a rocks history. Similarly these rocks unfold to present theContinue reading “self described rock. 2017.”

The illusive blue often seems to resemble wind. How do you explain wind to a friend who maybe never knew there was a word for wind? Of course they’ve felt it, right? Is it presumptuous to assume every bodies felt wind/ knows blue? This is what my bio looked like at the time and if you reallyContinue reading “BLUE aka World Expanding Fear. 2014.”

this is a set of sculptures design for a pre-cinematic space for Sled Island, curated by Ginger Carlson. A million years ago and a thousand years later – you weren’t there. You’re here now though. More than anything these two works are just spaces for one. One person at a time. One minute at orContinue reading “a monolith and an obelisk walk into a room… 2016.”

This was my graduating exhibition from my BFA at NSCAD University. The ethos behind this work was there are moments of pause or reflection when stopping to adjust your eyes on a view from a window. There is a specific feeling and time and head space in this moment. These moments often happen in transition,Continue reading “existing, being, etc. at that time. 2013.”